Trains.com Sites
Resources
Shop
E-mail Newsletters
SEARCH THIS SITE
Help
Contact Us »
|
Customer Service
Get our free e-mail newsletters
Model Railroader
(weekly)
Model Railroader VideoPlus
(weekly)
Trains
(weekly)
Classic Toy Trains
(bi-weekly)
Garden Railways
(bi-weekly)
Classic Trains
(bi-weekly)
By signing up I may also receive reader surveys and occasional special offers from Trains.com. We do not sell, rent or trade our e-mail lists.
Details about our newsletters »
Read our privacy policy »
Join our Community!
Our community is
FREE
to join. To participate you must either login or register for an account.
Search Community
Searching
Please insert search terms into the box above to run a search on the community.
Users Online
There are no community members online
Thread Details
Rate This
33
Replies — 6444 Views
0
Subscribers
Posted
over 20 years ago
Thread Options
Subscribe via RSS
Share this
Tag Cloud
1950s
advice
Amtrak
Atchison, Topeka and Santa Fe
Baltimore and Ohio
Boxcars
Bridges
Burlington Northern Santa Fe
Caboose
Canada
Canadian National Railway
Canadian Pacific Railway
cargo
Chicago
Chicago, Burlington and Quincy
Colorado and Southern
Coupler
Coupling
CSX
dcc sound
Depots
Diesel Engines
education
Emporia
fec
Home
»
Discussion Forums
»
General Discussion (Trains.com)
»
Trackside with Erik and Mike Vol. 6: April 19, 2004
Forums
|
Want to post a reply to this topic?
Login
or
register
for an acount to join our online community today!
1
2
3
Trackside with Erik and Mike Vol. 6: April 19, 2004
Posted by
Anonymous
on
Fri, Apr 23 2004 3:50 PM
Like them all but voted for #2. Its an instinctive thing, FEEL THE POWER!!!!!
Andy.
Tunbridge Wells, Kent, England.
You have posted to a forum that requires a moderator to approve posts before they are publicly available.
Posted by
Anonymous
on
Sat, Apr 24 2004 11:27 PM
I voted three! It seemed to have an edge although I`m not sure what gives it that?! I have a suggestion on the type of camera being touted. It seems to me that if you gave a picture of the controls and the setting if posible it would help visulize whats being talked about! I for one don`t have a digital as of yet and I`de like to see what`s being used. Maybe I`ll buy the Rebel that`s being used in this series of outstanding photos.[:D] I feel sorry for the kids in this weeks instalment. I remember being bored and playing around the trains and not having a mentor to tell me what I was looking at![:(][D)][2c][sigh]
You have posted to a forum that requires a moderator to approve posts before they are publicly available.
Posted by
Sterling1
on
Mon, Apr 26 2004 4:45 PM
Liked No.# 3 but voted for no.#2 despite gloominess. Prefered the headon shot that angled slightly more detailed shot on No.#3
"There is nothing in life that compares with running a locomotive at 80-plus mph with the windows open, the traction motors screaming, the air horns fighting the rush of incoming air to make any sound at all, automobiles on adjacent highways trying and failing to catch up with you, and the unmistakable presence of raw power. You ride with fear in the pit of your stomach knowing you do not really have control of this beast." - D.C. Battle [Trains 10/2002 issue, p74.]
You have posted to a forum that requires a moderator to approve posts before they are publicly available.
Posted by
Anonymous
on
Mon, Apr 26 2004 9:15 PM
Please allow me to help provide food for thought on the great debate on whether to polarize or not.
I shoot outdoors with a circular polarizer at all times. I refuse to shoot outdoors without it. Here is why. I come from the premise that I am where I am and will only have this chance, this light, this train, this place, one time, and it could be a long time before I get "this opportunity" ever again. So why take a chance? Why not stack the deck in your favor by making the best of your chances to get the shot with the gear you have?
First, in either film or digital, the Media simply does not have the full range of adaptability to see what the eye can see. There are pictures that simply cannot be taken without filters, Neutral density, Graduated Neutral density or polarizers in place. The range of brightness is seen by the eye, but the optics and film or media cannot make this stretch. Further, it is always wise to shoot with a UV filter over the lens as well. These rays have a different effect on film than they will on the eye. Film and CCD's in Digital do not and cannot see what the eye sees in term of brightness to darkness in the first place and photographic Media does not "See Light" the same way our eyes can, They also do see light in ways that eyes do not, and this is apart from the "visual effects" of Focal length and Aperture/Shutter speed situations. Ultimately, we want the photo to reflect what we saw when we were there, and so we use the filters to help this process along.
What a polarizer does is align the light waves so they arrive at the film at the same time and Vertically rather than both verticaly and horizontally random times during the exposure, this is partly why color seems more real to the eye than it does on film without the Polarizer, when you look at it on slide film. It can make the difference of a shot you can use and love and a shot that goes in the trash as a failed attempt. I am a big fan of Polarized Sun Glasses. I work outdoors and the eye relief is amazing. You will notice much less eye fatigue when you use polarized glasses. In all outdoor light you will see more and see better, period. I am very biased about this as you can see but I will leave you with this thought. Cameras are nothing more than a device that meters light to something that is exposed to light. Film of various types, a CCD or what ever. All things being equal, The light, and the color of light is merely a reflection of the color something has when it is illuminated. This light wave frequency is what it is imparted by the color of what it is reflected off of, and this is what we "see". So if color looks more true when polarized than when it is not, it is still a true representation of _real_ color with only the wavelengths of that color aligned, but not altered. The frequency is still the same. Polarizers are not an effect, they are a purifier, they seem to add drama and depth, but in truth, they really do the same thing a lens does. A lens has to focus an image to capture the truth of the image and in the exact same way, the Polarizer focuses the light for truth in color.
By all means Buy a circular polarizer for your camera and use it often, It is a tool that is appropriate for getting the real image in the first place. You will be very glad you did.
You have posted to a forum that requires a moderator to approve posts before they are publicly available.
1
2
3
Home
»
Discussion Forums
»
General Discussion (Trains.com)
»
Trackside with Erik and Mike Vol. 6: April 19, 2004