tstageWheelsets - Metal and mostly ribbed;
Which would be appropriate for the Transition Era that you apparently model, as cast iron wheels were the ones with the ribbed backs.
"As of January 1st, 1958 cast iron wheels were banned from new and rebuilt cars, From January 1st, 1964 no new cast iron wheels were allowed on existing cars, and from January 1st, 1968 all cast iron wheels were banned from interchange."
I model the same era, but to me its such a small, hard to see detail, I don't bother
I got back into the hobby about year 2000, so the stuff I bought would be described as new school.
Modern shortline, post year 2000. Since the model manufacturers finally started producing GP7Us and GP15s with front and rear LED ditchlights and finally decent sound coupled with good motor control about 2015, I don't have many locos left that were made before that.
Started accumulating rolling stock about 2000.
About as new school as you can get when it comes to equipment.
DCC control, mainly because onboard sound needs it.
Code 83. That's what I started buying.
Couplers are a mix. As long as they are knuckles and not horn hook. Never had a problem coupling or uncoupling a mix of brands.
I use plywood, foam roadbed, cork roadbed, homosote, caulk, white glue, or nails....since track laying materials aren't that important. They all seem to work for me just fine.
- Douglas
No, it's true that in the 1980s not everyone was using Kadees, but probably 85-90% of people were using them. By then they'd been around for several decades and were well established as the standard, so wouldn't really count as "new school" in the 1990s.
The easiest way to convert the old AHM/Rivarossi passenger cars is to use the McHenry couplers. They make ones that just snap in place in the existing connection. Of course, Kadees would be the choice if you're going to body mount them, but the McHenry ones make for a quick/easy conversion.
Code 100 was the de facto standard in HO until late in the 1980s and has since been displaced by Code 83. That's why I say it is new school as opposed to old school. As the responses have shown, many are still using the old standard. If you have Rivarossi steamers from the 1980s, and I still do, you are limited to running on Code 100 because of the oversized flanges. I think when Code 83 became popular, Rivarossi reduced the size of their flanges.
As for couplers, the horn hooks are what equipment came with until the patent expired on KDs and many people did not replace them. I don't know what the percentage was among modelers, but not everybody was replacing them with KDs. I remember buying a collection at an estate sale in the early 1980s and it all had horn hooks. I continued to use horn hooks on my Rivarossi passenger cars on my old layout because I didn't do any switching with my passenger trains. As another modeler has said he did, I had a baggage car with a horn hook on one end and KD on the other. The KD would hook to the loco while the rest of the consist ran with horn hooks. I still have some of those Rivarossi passnenger cars boxed up with the horn hooks on them. Maybe some day I will upgrade them.
John-NYBWThe layout in my previous home which I moved out of 20 years ago was DC on code 100 (HO) track. That's old school.
I switched to HO in the winter of 1987-88, and used Walthers Code 83 from the start, so not sure that's really 'new school'.
John-NYBWAnother old school/new school choice is couplers. In HO, I think most people are now using some sort of knuckle couplers but is there anybody out there still using the old hornhooks. Back in the 1980s, that was the standard coupler almost all equipment came with and KDs were what you converted to if you wanted knuckle couplers.
Kadees have been the standard HO coupler for a half a century or more. The X2F "NMRA" coupler was a compromise that came out many years back, and could be made by any manufacturer without paying a licensing fee. That's why equipment came with them 'back in the day'; generally everyone except newbies immediately replaced them with Kadees.
John-NYBWI think it was sometime in the 1990s that other brands of knuckle couplers became available and new equipment came with both types of couplers.
Kadee refused to make discount bulk prices available to manufacturers who wanted to make their equipment come with Kadees. However, Kadee's patent ran out about 20-25 years ago, and manufacturers could then make their own version without needing to pay any fees to Kadee. That's when cars and engines started coming out with Kadee-compatible knuckle couplers.
Combination. For track, I'm old school code 100, mostly because of cost and accessibility. I have rolling stock of pretty much every make. My oldest locos (Japanese brass and Fleischmann) were built in the early 60's, and have some recent locos built less than 5 years ago. Some have high flanges (see point about code 100!). A few kitbashed locos, like the one appearing in my avatar.
All my HO scale locos are DCC (RTR and hardwire upgrades), and I use my cell to operate my locos. I'm installing less sound than I used to, the price of sound decoders is getting too high for me.
I use Kadee couplers, but Rapido uncouplers. 99% of the paints I use are acrylics, I guess that's new school.
For scenery, I'm mostly new school: mostly shelf construction, and I use ground foam, sculptamold, and will use cardboard and plaster rolls to shape my mountains.
I also have some O scale, two-rail, DC equipment. I have some HOn3 and HOn30. I would say that's old school, although my HOn3 is DCC. Like I said, combination.
Simon
20211017_104745 on Flickr
I'm new school (code 83/DCC) using old school methods to install track (track nails and cork roadbed on wood).
Rio Grande. The Action Road - Focus 1977-1983
I am curious about the choice of HO track with codes smaller than 83. Does it improve appearance that much and is there any trade off with performance. I was never bothered by the appearance of code 100 until I started using 83 and now when I look at 100, it looks huge.
All my track is either flex track or commercial turnouts. The turnouts are various brands depending on availability of what was needed. When I started, my current layout, Atlas didn't make a #8 so I went with Walthers/Shinora. I recently installed a couple Peco curved turnouts. Commercial track looks just fine to me especially if it is painted and weathered. I've never been tempted to even try to handlay track. When I look at a section of track with hundreds of ties, I'm not going to focus in on individual ties. That's true of both model and prototype track. All the ties look the same to me.
I guess I'm a bit of both.
On the old school side:
New school side:
Probably forgot a few other things on either side but that's my take.
Mostly old in approach, but not hard core. ME Code 70, 55, Atlas 100 in staging. Hand laid switches, mechanically thrown using dpdt sliders to hold points and polarize frogs. DC. (Tech 2!)
Motive power: BB (geared), Atlas austria & Japan, P2K, MDC, Roco, Rivarossi, Keystone (NWSL Innards) and some ancient brands of motive power. BB, P2K, AHM (ore cars), MDC, Bowser and other medium end freight cars, but not train set stuff. KD exclusively, and all metal wheelsets.
Structures mostly scratchbuilt, but a couple kit based ones. Aren't yet, but plan to be lighted
Vehicles, a sub-hobby, are across the board, CMW, & Athearn mostly, a few WS, Leetown & other kits. Some nice newer plastic ones though. None lit. Many heavily 'bashed.
Scenery is old school glueshell with plaster rock castings, Home made trees using published techniques. Lotsa real dirt and sifted gravel from my yard & driveway. Static grass and Superleaves aren't so old school though. There is some foam based scenery too.
Since it's wired "twin cab" I reserve the possibility of adding DCC, while keeping some DC locos on the rails. Dan
I did not use traditional benchwork, but the pink insulation foam sheets are the table top upon which my layout is built (over basic wood framing). I stacked foam insulation pieces and covered them with lighweight plaster as needed to build scenery.
Since I absolutely despise ballasting (my dad and I did do it on our home layout when I was a kid, and it caused more problems than it was worth), I opted for all HO Kato unitrack with Kato #8 turnouts (for the few that I have). The layout is supposed to represent open rural spaces, so that I can railfan my own trains...
I have no blocks. The Kato turnouts are power routing. Sidings are double ended, and by placement of feeder wires the power flows through whichever tracks are aligned.
There is a DPDT toggle switch to toggle between plain dc and dcc power as needed. There were only 3 pairs of feeder wires, so the average run is about 27' between power feeds (much longer than some people recommend for dcc operation, but it was built before dcc was common). It seems to be adequate for dcc operation with diesels. The trains work adequately well. I never have more than two units on a train and am able to run long trains above 50 cars whenever desired.
Almost all motive power is now dcc with sound. One plain dc Genesis IT GP38-2 remains and will likely get a decoder installed.
John
I'm pretty much old school...when I started in HO it was Atlas code 100 brass track on fibre ties, and the turnouts were kits. I did have Kadee couplers right from my start in 1956, but they were the ones with mechanical uncoupling rather than magnetic.I've been using code 83 nickel silver track for well over 30 years, but still run some rolling stock from the early-to-mid-'50s, and have at least one steam loco from the very late '40s or very early '50s.
While I've operated on the layouts of friends with DCC, I have absolutely no interest in it for myself...I have no need, nor desire, for running multiple trains at the same time, and absolutely no interest in sound, and no interest in lights in structures or in locos or cars, and definitely not for "night" operations. (I do, however, appreciate the talent of others who are into those things.)I've modified pretty-well all of my locomotives and rolling stock, and have, I think, only a couple of factory-painted and lettered freight cars.I've also scratchbuilt several cars, and the majority of on-layout structures are either scratchbuilt or highly modified kitbashes.
I have also done a couple of DCC loco installations for friends, but my knowledge of it otherwise is limited.
Wayne
I don't consider old school/new school. To me it's function, appearance, and cost. My layout is modular that started out being modules in club shows. There were standards like Code 100, Peco insulfrog turnouts, and mainline spacing.
I have stuck with code 100 even on the home modules for a couple reasons.
1. Cost. Code 100 usually runs 10 to thirty percent less expensive than 83.
2. Once painted and ballasted it's hard to tell the rail is .017 of an inch taller.
3. The wide wheel tread looks better on larger rail. I handlaid a run down industrial siding with code 55 rail and the hopper car wheels look grossly oversized on it.
I run DCC and adding more sound decoders as hobby dollars allow. I like running trains. Not track. I keep the volumes low on the sound decoders. I love the sound of a double head big steamer train struggling on the hill. And the rumble of a large bore diesel working the yard.
I have KDs on 99.9 percent of locomotives and rolling stock. When the patents expired on the KDs there was a flood of cheap plastic lookalikes. I did experiment but quickly returned to KDs. If I was starting a new. I would probably look into the Sargent couplers. I have them on the pay train and like them. The pay train is a brass 2-6-0 with a converted B60 baggage car. Both are kept clean and shiny.
I also run metal wheels on everything.
That's me. What's great about this hobby is the individuality. There's no right and wrong.
Pete.
John-NYBW kasskaboose Went from DC on the 1st layout to DCC on the 2nd (current) Code 83 track on both layouts regardless Are duck-unders old school? I had that on my 1st layout and went without (no complaints!) Knuckle couplers Metal wheelsets I don't think of duck unders as either old school or new school. I have three only layout and they are a pain. One is to get inside the hidden staging loop. One is to reach an access hatch behind the roundhouse. The third is one I have rarely used. It goes across a center peninsula near its base and was intended to allow me to get to the other side without having to walk all the way around. The peninsula is about 20 feet long. It was a nice idea but a 6 foot long duck under is too much for these old bones. I have discovered something recently and that is if I use a stool for support, it is much easier to pass through all the duck unders. It's like having a short walker. If I could find something with wheels it would be even better.
kasskaboose Went from DC on the 1st layout to DCC on the 2nd (current) Code 83 track on both layouts regardless Are duck-unders old school? I had that on my 1st layout and went without (no complaints!) Knuckle couplers Metal wheelsets
Went from DC on the 1st layout to DCC on the 2nd (current)
Code 83 track on both layouts regardless
Are duck-unders old school? I had that on my 1st layout and went without (no complaints!)
Knuckle couplers
Metal wheelsets
I don't think of duck unders as either old school or new school. I have three only layout and they are a pain. One is to get inside the hidden staging loop. One is to reach an access hatch behind the roundhouse. The third is one I have rarely used. It goes across a center peninsula near its base and was intended to allow me to get to the other side without having to walk all the way around. The peninsula is about 20 feet long. It was a nice idea but a 6 foot long duck under is too much for these old bones. I have discovered something recently and that is if I use a stool for support, it is much easier to pass through all the duck unders. It's like having a short walker. If I could find something with wheels it would be even better.
My new layout will have a swing gate section to get into the room, and a lift out/duck under to get to my workshop area.
Once in the "layout", wide aisles, 3' minumum only in two short spots, most 4' and wider, will allow easy travel around the room.
There will be a service aisle behind one section, covered with removeable scenery sections, several pop hatches, and under the layout staging yards in some areas.
One of the main staging yards will be 70% visable, in my workshp area. Another will be 50% visable in the "background" of the layout.
Scenery will be deep, 3-10 feet, but visable trackage will virtually all be within 30" of the aisle.
Some hidden staging yards will actually be covered with removable structures and scenery.
After building one multi deck "shelf" layout, I decided I hated both ideas, shallow shelf scenery and multiple decks.
So back to old school layout design with "depth" that allows modeling life more than 100' from the tracks......
One other essential reason for being "inside" the loop is to maintain the operator to train relationship where left = west, and right = east. This makes it much easier for operators to quickly learn the layout, and it makes DC control systems much easier to design and operate.
Sheldon
"One difference between pessimists and optimists is that while pessimists are more often right, optimists have far more fun."
I'm new-school. Flex track. Peco switches, knuckle couplers, Digitrax DCC. I have several locomotives with sound and plan on adding sound decoders to others.
Modeling the B&M Railroad during the transition era in Lowell, MA
When I built my layout, I received a donation of code 100 flex track. So I used it. If you paint the sides of the shiny nickel silver rail with rail brown, the rail looks a good deal smaller. I am the only operator on my home layout so I only want to run a single train at a time. So I run plain DC and have a bunch of toggle switches to apply or remove power to sidings. I use Kadees everywhere and the magnetic uncoupling devices. I have rolling stock going back to my college days. I believe in the two foot rule, if it looks good at two feet, it is good enough.
David Starr www.newsnorthwoods.blogspot.com
I switched to code 83 track with the new layout when I started construction in 2003 after seeing code 83 on a friend's layout. I like the look of it over code 100.
I'm still running DC instead of DCC. While DCC has come a long way over the years, I've got about 25 locomotives active on my roster. Three are Athearn SDP40Fs while the rest are a mix of DC Athearn, Atlas, and Spectrum from the early 80s to 1997. Converting or replacing them would be too much work/cost for me at the moment.
A few years ago, I did replace all of my old horn hook couplers with Kadees, which has improved operations.
Kevin
http://chatanuga.org/RailPage.html
http://chatanuga.org/WLMR.html
I don't consider it "old school vs. new school" so much as minimum acceptable standards:
Old School
DC in blocks
Lone wolf operator
Code 100 Atlas track on cork
Blue Point and Tortoise Switches
For couplers I have my late Father's stock which has horn hook couplers. For new stock that I am buying I am using what it came with but in the process of converting to kaddee's for all the stock that is giving me a hard time.
Layout is 1" foam on 1/2" plywood. The frame was built in sections and then bolted together.
I am using scultamold to create a textured ground and for the outside of a mountain that was created with stacked foam board glued together.
charles
Both.
My layout is sorta like Mel's, I can run DC or DCC.
I don't really think of it as "old school vs new school", it's whatever you want to run.
My track is all code 100. I like it that way.
I'm not a huge fan of sound.
I've watch too many videos of sound equiped trains, with every other loco on the layout having sound on, and to me it's annoying. Too much noise.
I like to be track side, and no sound decoder can capture that.
Mike.
My You Tube
BothMy layout is HO scale and was designed for DC with blocks, kept it that way.I bought a DCC controller and a few decoders in 2005 and I operate in both modes, one or the other.I went with code 83 track (1989) were it was viewable and code 100 for hidden track.One of my things is restoring clunker locomotives, over 60 and all wired for DCC. I only have 5 locomotives that were bought new.I still run mostly DC, DCC when I want to hear my locomotives or show off to visitors.I guess one would say I’m mostly old school, don’t much care for new goings on, I prefer the 1950s my growing up era.Mel My Model Railroad http://melvineperry.blogspot.com/ Bakersfield, California Turned 84 in July, aging is definitely not for wimps.
I still had a lot from my teenage layout. I'm 74 now so it's aged, but I've taken care of it so most of that rolling stock looks pretty good. It's mostly Athearn with some Tyco. Everything now has Kadees, and all the plastic wheelsets have been replaced with metal. I've added a lot of newer rolling stock from Walthers, Bowser, Atlas and others.
I didn't lay down the old brass track, going first with Code 100 NS, and then switching to Code 83 as my layout expanded.
My old engines didn't work well anymore. I gradually acquired a few DC locomotives, but I switched over to DCC very early. Now most of them have sound.
My old Lionel layout from the fifties was plywood on 2x4s, sitting on the floor with no legs. When I went to HO I built sawhorses and used a homosote subroadbed. My grown-up layout has real legs, a real frame and is on pink foam.
It takes an iron man to play with a toy iron horse.
Some of each:
Track - new school - code 83, mostly Atlas, some Walthers and some hand built turnouts. Track glued down with adhesive caulk.
Roadbed - old school - homasote roadbed on plywood/wood subroadbed.
Benchwork/scenery - old school - open grid and table top, strong enough to climb on, wire screen an plaster open below - no stacks of foam - no foam anywhere.
Control system - advanced old school with some newer tech - DC advanced cab control with wireless throttles, detection and signaling, CTC, automatic train control, walkaround and tower control options.
Layout design - mostly old school - continious loop double track mainline, lots of hidden staging, addtional continious run display loop cutoffs.
Scenery design - old school - visually deep scenery, most areas 3-4 feet deep, some areas as deep as 10 feet with rear access and popup access.
Operational concept - new school - layout models only one "city" and trackage a few miles either side, most trains start in staging and end in staging, industrial switching mostly off the mainline on a belt line.
Turnout control - old school - hidden Tortise motors on mainline and hidden yards, visable yards and industrial trackage home made ground throws.
Sound - old school - no onboard loco sounds, plans to experiment with some layout based sound effects.
Couplers/wheels - old school - I use Kadee couplers, but only the original standard head, NO semi scale couplers and no semi scale code 88 wheels.
Rolling stock - old school - wide variety, 60 year old VARNEY and Athearn, kits of every difficulty, modern RTR, both mid and high end. It only has to look reasonably correct, every rivet perfect is not required.
A combination of old & new school...
There's nothing wrong with either approach or a combination of them in various degrees. It just depends on your desires and what you are trying to accomplish with your layout. I can appreciate either approach.
Tom
https://tstage9.wixsite.com/nyc-modeling
Time...It marches on...without ever turning around to see if anyone is even keeping in step.
I used code 83 back in the 80's.
DCC NCE Powercab
KD couplers. I started using those in the 80's and a I had a couple cars with horn hook on one side and KD on the other. I got rid of those. My layout is still under construction so I have not gotten rid of knuckle couplers that are on new purchases to replace them with KD's.
Henry
COB Potomac & Northern
Shenandoah Valley
New school. Last layout was new school except for no DCC but had Train Engineer. Only reason went DCC is sound, it became cheap and is getting cheaper. New stuff coming out next year that is under $200 and has better sound.
Old school definitely.
DC, Two wires connected to track each for two controllers. So simple to operate. Grandchildren have been 'in control' since they were three years of age.
David
To the world you are someone. To someone you are the world
I cannot afford the luxury of a negative thought