I keep most of my trains in plain view in an exposed yard.
I do, however, have a small 3 track yard hidden in a mountain. It is where Thomas the Tank Engine and Hogwart's Express live when the grandchildren are not around.
I do not simulate "out of town".
Dave
Lackawanna Route of the Phoebe Snow
ChrisNH wrote: jecorbett wrote: Another trick is to put the staging yard behind a viewblock such as a hill or row of buildings.I have been considering exactly that for my staging. Could some folks who use that form of staging comment on the difficulty of using it.. that is.. having to deal with a staging yard that is set up behind a view block or low backdrop which is in turn behind the operating portion of the layout?My concern is that a yard hidden back like that will not be very ergonomic. Put another way, a pain in the butt to work with the trains and the track back there. I do like how it would let me use the back wall of my layout and save areas with aisle space for sceniced portions.. and that I can probably use a mirror on the cieling to see trains moving in and out by looking up.Right now I am looking at modeling a very slow bridge line I can operate alone or with a disinterested relative, but a little artist license would allow me to make it as busy as I like if I find some more people to share the hobby with me locally. Thanks,Chris
jecorbett wrote: Another trick is to put the staging yard behind a viewblock such as a hill or row of buildings.
Another trick is to put the staging yard behind a viewblock such as a hill or row of buildings.
I have been considering exactly that for my staging. Could some folks who use that form of staging comment on the difficulty of using it.. that is.. having to deal with a staging yard that is set up behind a view block or low backdrop which is in turn behind the operating portion of the layout?
My concern is that a yard hidden back like that will not be very ergonomic. Put another way, a pain in the butt to work with the trains and the track back there. I do like how it would let me use the back wall of my layout and save areas with aisle space for sceniced portions.. and that I can probably use a mirror on the cieling to see trains moving in and out by looking up.
Right now I am looking at modeling a very slow bridge line I can operate alone or with a disinterested relative, but a little artist license would allow me to make it as busy as I like if I find some more people to share the hobby with me locally.
Thanks,
Chris
If your benchwork is not too deep it should not be a great problem. Height may be more problematic if you go for high layouts (chesthigh).
You can counter that by going modular/segmental (domino style I think is the name you use in the US). That way you can work at leisure on one or more parts till everything works perfect.
You may want to check out some British exhibition layouts which basically use this idea. Many are operated from the front these days rather than from the back.
Iain Rice has published two books with Kalmbach you may want to check out.
greetings,
Marc Immeker
ChrisNH wrote: jecorbett wrote: Another trick is to put the staging yard behind a viewblock such as a hill or row of buildings.I have been considering exactly that for my staging. Could some folks who use that form of staging comment on the difficulty of using it.. that is.. having to deal with a staging yard that is set up behind a view block or low backdrop which is in turn behind the operating portion of the layout?My concern is that a yard hidden back like that will not be very ergonomic. Put another way, a pain in the butt to work with the trains and the track back there. I do like how it would let me use the back wall of my layout and save areas with aisle space for sceniced portions.. and that I can probably use a mirror on the cieling to see trains moving in and out by looking up.Right now I am looking at modeling a very slow bridge line I can operate alone or with a disinterested relative, but a little artist license would allow me to make it as busy as I like if I find some more people to share the hobby with me locally. Thanks, Chris
So I presume then you work on the the trains elsewhere and stash them away in staging.. that direct access is more of a "deal with problems" issue, not a day to day staging need?
My current test layout is 56". I plan to go to 58" on the next one after I test 58" on this one with some wood blocks under the legs. So yeah. very tall.. but I am in N so it really improves my enjoyment of the layout. I like having the trackwork close to my eyes when I am working on it too.
ChrisNH wrote: So I presume then you work on the the trains elsewhere and stash them away in staging.. that direct access is more of a "deal with problems" issue, not a day to day staging need? My current test layout is 56". I plan to go to 58" on the next one after I test 58" on this one with some wood blocks under the legs. So yeah. very tall.. but I am in N so it really improves my enjoyment of the layout. I like having the trackwork close to my eyes when I am working on it too.Thanks,Chris
Let's offer a definition or two from my model's rulebook: Staging Tracks (Hidden or Visible): a yard or tracks where a train terminates its run under its own power. It does not return to the visible portion of the layout, nor is it removed from its staging track until after an operating session is completed. Staging Tracks are also where a train, pre-made with locomotives, departs under its own power to make a run on the visible portion of the layout.
Fiddle Yard: a track or series of tracks where terminating trains are removed from the yard by hand, locomotive or other device and placed in storage. Other cars and locomotives are removed from storage and placed by hand, locomotive or other device to build a train which will depart under its own power.
Now, under these definitions, hidden staging has no real need for access except in the rare instance of a problem such as a derailment, etc. Use of diodes near end of track will stop a train's movement into the assigned staging track, and block detectors and power switches ensure trains go where they are supposed to. A fiddle yard allows the person in charge to physically remove arriving trains or build new ones with cars stored off the layout, and continue to do so as long as demand or schedules require.
ChrisNH wrote:So I presume then you work on the the trains elsewhere and stash them away in staging.. that direct access is more of a "deal with problems" issue, not a day to day staging need? My current test layout is 56". I plan to go to 58" on the next one after I test 58" on this one with some wood blocks under the legs. So yeah. very tall.. but I am in N so it really improves my enjoyment of the layout. I like having the trackwork close to my eyes when I am working on it too.Thanks,Chris
I have four staging tracks under the layout. They are 15 feet long, and hold about 23 cars and two locos, each. I always have a couple trains hidden under the layout, in storage. Recently, my brother was over and I was running some trains while he watched. After about 20 minutes of running a couple freight trains, my Pere Marquette passenger train emerged toward the back of the layout, and pulled into the depot. He looked shocked, and said "Where'd that come from"? I just said "Cincinnatti".
On my Port Able and Pacific which is based on the Seattle and North Coast, I use my car ferry as my "staging" yard. Like the S&NC, my road only interchanges with the rest of the world via the car ferry.
I've never been that thrilled with hidden track of any kind. It is a well known fact that the hidden spaces of the layout room is where the "gremlins" hide and do most of their dirty work.
-George
"And the sons of Pullman porters and the sons of engineers ride their father's magic carpet made of steel..."