RR_Mel Would this be considered a double deck layout?
I do not see one world floating above another. So, no.
Ed
railandsailCan you just show me two smaller layouts that don't have the trains going thru same scenes but once
Bob Sprague has some nice examples on his website.
https://www.bobstrackplans.com/
I have the right to remain silent. By posting here I have given up that right and accept that anything I say can and will be used as evidence to critique me.
Mel, a two deck layout has two separately sceniced levels.
Steve
If everything seems under control, you're not going fast enough!
NWP SWPWhat is your opinions on the pros/cons of multi deck layouts?
read Tony's book (has good thoughts for any layout)
greg - Philadelphia & Reading / Reading
7j43k I do not see one world floating above another. So, no. Ed
carl425 railandsail,can you just show me two smaller layouts that don't have the trains going thru same scenes but once https://www.bobstrackplans.com/
railandsail,can you just show me two smaller layouts that don't have the trains going thru same scenes but once
paraphrasing the designer, Leonard Blumenschine.... The layout has two 'terminal locations', Tupper Lake and Faust Junction. Start from either terminal, follow the main line (ignoring the crossover at Big Wolf for the moment), and when you end up at the other terminal you'll find yourself putting your loco on a common turntable that links both terminals,...even though the terminals are distinct from each other in character and function, and are located more than 2 scale miles apart. Whether a train makes one lap, or repeatedly uses the 'accidental crossover', it is always headed for the other end of the line, and it never has to pass directly through its destination or origination point along the way while building up mileage.
paraphrasing the designer, Leonard Blumenschine....
The layout has two 'terminal locations', Tupper Lake and Faust Junction. Start from either terminal, follow the main line (ignoring the crossover at Big Wolf for the moment), and when you end up at the other terminal you'll find yourself putting your loco on a common turntable that links both terminals,...even though the terminals are distinct from each other in character and function, and are located more than 2 scale miles apart.
Whether a train makes one lap, or repeatedly uses the 'accidental crossover', it is always headed for the other end of the line, and it never has to pass directly through its destination or origination point along the way while building up mileage.
Brian
My Layout Plan
Interesting new Plan Consideration
carl425 https://www.bobstrackplans.com/
carl425 Bob Sprague has some nice examples on his website. https://www.bobstrackplans.com/
NWP SWP and Brian, thank you for your kind comments.
railandsail...BTW, is that all one train in that photo?...
Yeah, one train. Somebody had asked in a post somewhere about how many cars a loco (diesel, if I recall correctly) could pull. I had just finished adding a little more weight to my Bachmann Consolidations, and decided to see if it had improved the pulling ability.I don't have much level track except on the partial upper level, so decide to build a train there and see what the loco could pull. I kept adding cars (some free rollers some not-so-free, some to recommended weights, a couple under-weight, and quite a few over-weight. The train stretched from the far wall in this photo and into the curve in the foreground...
...and continued around the same curve, in the foreground below, all the way into the curve at the distant wall in this photo...
....41 cars.
Since most of the cars needed to be placed back in their boxes below the lower staging yards...
...I decided to run the train down to that area. The locomotive did need an assist from a couple of Athearn Mikados to get up the grade that leads to the yard shown in the photo above.
railandsail...And, is it just the camera lense that makes that grade appear substantial?
No optical illusion there, Brian. The grade is 2.5%, about 45' worth wrapped around two reverse curves (the bridge partially visible in the upper midpoint of the photo is part of the other curve).
Wayne
So I guess you are pretty confident you don't have to access the underside of the layout where you have those shelves for the boxed freight cars??
I built a double deck layout once, decided afterwards I was not really happy with it.
Now, the only "double deck" thing I would do would to be build a "regular" layout at say 48", and have a shallow, shadow box type lower level, with no switching operation, just open running mainline, at about 30" off the floor, 14" high and less than 12" deep.
My current layout project is modular for a future move, and is designed so that this feature might be added later.
Sheldon
If the goal is to run laps around the layout and bypass terminals in the process, a layout doesn't need three tracks around the deck/room, 4 tracks, or 8.
It only needs one. You can do 8 laps on one track.
Since the 3, 4, or 8 tracks will be piled up on each other, the train will always look like its going through the same scene anyway, so there is no real advantage to having more than one track, IMO.
Some plans say there are 2.5 miles between stations, but you dont notice that because the tracks and the stations are right next to each other. The author is talking about if the plan was unfolded to form a straight line, the tracks would extend for 2.5 miles. That's a lot of track to fold up into a small layout.
- Douglas
railandsail So I guess you are pretty confident you don't have to access the underside of the layout where you have those shelves for the boxed freight cars??
doctorwayne There's only one powered turnout on the layout and the turntable on the lower level is manually operated (the big finger). Track power in the two modelled engine terminals is controlled by fascia-mounted toggles and/or rotary switches. I've motorised the turntable on the upper level, but may revert to manual operation, as indexing "by-eye" is quicker, with less wiring. Wayne
There's only one powered turnout on the layout and the turntable on the lower level is manually operated (the big finger). Track power in the two modelled engine terminals is controlled by fascia-mounted toggles and/or rotary switches. I've motorised the turntable on the upper level, but may revert to manual operation, as indexing "by-eye" is quicker, with less wiring.
DrWayne,
You have added so many great photos to discussions on this forum,...so I thought I really should have a folder where I am saving those photos.
But alas that damn Photobucket crap has invaded again. I save the photo image from your posting, but it does not let me access the photo on my computer??
railandsail...what has turned out to be your favorite method of manual turnout control?
Originally, the turnouts were all controlled with Caboose Industries ground throws (except, of course, the motorised one (Tortoise) that's under a bridge. A friend gave me a number of turnouts that he no longer needed (some still in the package), and among them were some Micro Engineering and Pecos, both with the integral spring in the point mechanism. I've since modified a number of turnouts (mostly Atlas) with springs, which allows me to add Central Valley switchstands, which look much better in photos. A number of now-difficult-to-reach (due to the addition of the partial second level) turnouts will be modified to work through Blue Point switch mechanisms, using control rods and knobs on the fascia, which will allow use of the CV switchstands, too. The staging areas will retain the Caboose Industries ground throws, though, as they're all accessible and very reliable.
As for the issue with photobucket, I was unaware that photobucket was that niggardly in respect to photo sharing. I originally had a free account there, like most users here, I think. However, I was finding that my monthly bandwidth allotment was being used-up within two weeks or less, and after pestering photobucket for a while, they finally sent me a transcript of useage. Apparently, in addition to photos shared here and on a couple of other forums, various search engines were also harvesting my posted photos. When someone searched for, f'rinstance "boxcar photos", the results might include 10 or 12 of my photos, and everytime someone viewed them, it used some of my bandwidth. I eventually got a paid subscription to photobucket, and when they changed their policy, was allowed to "grandfather" my sharing privileges for a slightly increased renewal fee. If I renew at that price next August, my sharing will continue until the end of 2018. At that time, I can either cough-up the full fee or have all my posted pictures disappear.
I can neither afford nor support that policy, so my pictures here will disappear. I do belong to another train forum where posted pictures can come from hosting sites such as photobucket or flicker, etc., but they also allow attachments, which is a useful fallback for me. I may consider going to another hosting site, but not at the present time.
I do appreciate all of the kind words from folks here, and hope that they can wade through my words which come with the pictures. I'll likely continue posting here, but with no photos, the word content may increase dramatically....you know, the "picture is worth a thousand words" thing...
Just wanted to add here that Wayne's layout avoids what i see as a major drawback for most double-decked layouts - a helix. A helix at minimum takes up 16 square feet of potentially useful layout room. It is also a place for derailments where you can't easily reach. In my mind, any layout space that has enough room for a helix has enough space for a large enough single-decked layout. I guess it just depends on how much mainline you want. Waynes is quite well-done - the transition between the two decks is not a helix and is part of the scenicked layout.
- Kevin
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