Thought about this when I recently visited Nashville's Centennial Park. There they have NC&STL #768- a static display of what Yankees call a "Northern" but Southerners call a "Dixie".
Like everyone else, there is a move afoot to try and restore this giant to life, but like everyone else, there's not enough money.
Anyway, one of the issues the restoration group was discussing was the asbestos jacketing over the boiler. What does UP use instead of asbestos on their steam program? I seem to remember that they recently restored their Challenger locomotive... and I can't imagine the Feds would allow it to operate if there was a danger of asbestosis for the operating crew.
There are several commercial, non-asbestos boiler insulations on the market. Even though steam locomotives went away, boilers didn't and they need to be insulated. The boiler insulation on the steam locomotives at Golden Spike (which were put in service in 1979) use a material similar to the insulation tiles on the space shuttle. I don't know what UP uses.
dd
Thanks. I didn't realize that the Golden Spike locomotives had been modified quite that way. It's an elegant solution.... space age technology solving the problem of excessive heat loss.
It's a minor, invisible change that's important to us for sound, medically based reasons. I know I am revisiting a thread that has been argued incessantly in the past. But the question I ask is this: What is the line between faithful restoration and changing the past to meet our standards of today?
There's no doubt in my mind that the Jupiter of today looks like, may even sound like, the Jupiter of 1868 Promontary Point. "My" own locomotive of that era is the Civil War General, in Kennesaw, Georgia. I know enough about it to know that the original locomotive did not have a Janney coupler on the back of the tender. I know that the original brakes were applied not by a Westinghouse air brake system, and that it probably took a greater distance to stop a train because of it. I know that the big tank hanging over the drivers on the right hand side probably carried air inside it, furnished by pumps directly above it, possibly powered by steam. It might make no difference to a kid seeing the engine for the first time- but it does make a difference to me.
The static display has a sound system buried inside the locomotive- which hisses, sighs, and "chugs" like a real steam engine did. I don't even know if the sounds are from the General itself- probably not, as the last time the locomotive was fired was in the 60's, in a centennial excursion run around the South.
No one wants to revisit the joy of traumatic finger amputation by a return to link and pin couplers. No one should expect the operators of live steam to run the risk of asbestosis. Nobody really wants to get hit by soot and cinders riding behind a steam locomotive... so we modify these locomotives that run today, to meet modern expectations using half century old equipment. I wonder how far we go before these magnificent machines of yesteryear become models and replicas of the real thing?
erikthered wrote: Thanks. I didn't realize that the Golden Spike locomotives had been modified quite that way. It's an elegant solution.... space age technology solving the problem of excessive heat loss.It's a minor, invisible change that's important to us for sound, medically based reasons. I know I am revisiting a thread that has been argued incessantly in the past. But the question I ask is this: What is the line between faithful restoration and changing the past to meet our standards of today?There's no doubt in my mind that the Jupiter of today looks like, may even sound like, the Jupiter of 1868 Promontary Point. "My" own locomotive of that era is the Civil War General, in Kennesaw, Georgia. I know enough about it to know that the original locomotive did not have a Janney coupler on the back of the tender. I know that the original brakes were applied not by a Westinghouse air brake system, and that it probably took a greater distance to stop a train because of it. I know that the big tank hanging over the drivers on the right hand side probably carried air inside it, furnished by pumps directly above it, possibly powered by steam. It might make no difference to a kid seeing the engine for the first time- but it does make a difference to me.The static display has a sound system buried inside the locomotive- which hisses, sighs, and "chugs" like a real steam engine did. I don't even know if the sounds are from the General itself- probably not, as the last time the locomotive was fired was in the 60's, in a centennial excursion run around the South. No one wants to revisit the joy of traumatic finger amputation by a return to link and pin couplers. No one should expect the operators of live steam to run the risk of asbestosis. Nobody really wants to get hit by soot and cinders riding behind a steam locomotive... so we modify these locomotives that run today, to meet modern expectations using half century old equipment. I wonder how far we go before these magnificent machines of yesteryear become models and replicas of the real thing?
The Jupiter and UP119 are not restorations. The originals were scrapped by their respective owners in the early 1900's. They are working replicas, designed and constructed by O'Conner Engineering in Costa Mesa CA in the 1970's and were put in service in 1979. The Golden Spike charter is to keep them as close to the originals as possible - without sacrificing safety. For example, both engines have air brakes, with were patented in April of 1869 but not yet installed on the Golden Spike locomotives.
As new information becomes available about the original, we develop plans to incorporate it. For example, the 1979 colors were changed after finding a story in a Sacramento newspaper of 1868 described the colors of the Jupiter when it was delivered. We are right now in the process of replacing the Jupiter's firebox guts with wood-burning type grates based on more recent information. (Both replicas were originally oil fired - now Jupiter is wood fired and #119 is coal fired as were the originals.)
Some characteristics of the original we cannot duplicate - because the manufacturing know-how has been lost. For example, one part of the boiler jacket is described has been Russian Iron in color. What does that mean and how was it created/applied?
One problem we face is that 1869 manufacturing and operating practices were different from the 1900-1930 locomotive practices that are evident in most existing steam locomotives. A simple example is the hickory striped engineer's hat that is iconic with railroading. Those hats didn't exist in 1869. We mostly wear flat brimmed western hats or Irish sea caps. Many contemporary 1869 photos show lots of military caps - so they would be ok as well.
Now you see some of the problems that maintaining a historical replica brings. The Golden Spike crew has to make those decisions on a daily basis. Fortunately, we have access to a full-time archeologist and the research resources of the National Park Service.
There have been lots of discussions of the color of "Russia Iron"... Personally I like the definition that it is the color of a dull mirror. As I understand it, it was a polished Iron, not shiney as to produce a visual image reflection or even a "glint" in the sunlight, but that tended to reflect what ever color was predominant in the surroundings... blue (sky) or green (trees) or red (sunrise/sunset) or gray (cloudy day), etc.
See:
http://www.narrowgauge.iform.com.au/russian-iron.html
No matter what COLOR "paint" you use, you will run into someone that says you picked the wrong color. To reproduce Russia Iron, you need Russia Iron... and even then somebody will tell you it is the wrong color because the last time they saw it (if they ever did! or they are only relying on someone's written account of what they "saw") it was reflecting some color that yours is not at the time.
Semper Vaporo
Pkgs.
Great responses.
A resource you might recommend to your archaelogist might be contacting the Museum of Civil War and Locomotive History, in Kennesaw, Georgia. They are a Smithsonian adjunct, and have one of the most extensive collections of railroad references I have seen. I recommend contacting Sally Loy, who is one of the curators there- and an outstanding researcher and co author of two, soon to be three, books.
Here's the link to the museum:
http://www.southernmuseum.org/archives.html
Hope that helps!
PS. Considering the last theme of TRAINS magazine was "How Much Does It Cost?", I wonder how much it cost to build your replicas?
Dan
I hoped that the NASA technology would filter down to steam engines as it did to NASCAR firewalls. If I ever get "my" live steamer built, I am going to insulate the boiler with woven Kevlar. We use gloves made of this at GE Power Systems Airfoils in Duluth, GA in the polishing department where these guys have to hold gas turbine blades that get hotter and hotter as the sanding belts take off the machining marks. I bet they get well over 200 degrees when the belt gets worn. Several layers ought to give a boiler enough protection.
I can take a glove, put a Coke from the GE fridge in it and go to work and it will still be icy cold when I get there 45 minutes later.
Jock Ellis Cumming, GA US of A Georgia Association of Railroad Passengers
The solution would likely be a fibreglass type product like the Navy uses on steam piping and steam powered equipment.
Originally, the Navy used "lagging" (insulation) that contained asbestos. This was the norm until the late 70's/early 80's.
Then, a fibreglass replacement was produced and used.
Some forms of the lagging can be made waterproof by sealing it with paint and a sealing compound.
This might be one of the more viable solutions.
So many scales, so many trains, so little time.....
rustycoupler wrote:question, can volunteers remove this asbestos whith the correct equiptment or do pros have to do it? even on old passenger cars also.
Asbestos is classified as a hazardous material so its removal would have to be done by a properly certified firm in a controlled environment.
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