Despite the evocative Ted Rose watercolor on its cover, Canadian Steam! is a showcase of great black-and-white photography.If all had gone according to plan this year, just about now we’d be packing up the car for a road trip to Canada to visit old friends. Railroading would be on the menu, as well as good restaurants and the golden countryside of Ontario in autumn.
Alas, the current Covid-19 restrictions got in the way. Canada will have to wait until next year — if we’re lucky. Meanwhile, what to do about the Canadian mood I’m in? For me, the country and the season go together.
It’s hardly a substitute for being there, but the other evening I found myself getting at least a bit of a fix by reaching for a favorite book, David P. Morgan’s Canadian Steam!, a pictorial review of Dominion railroading published by Kalmbach in 1961, the year after steam vanished on Canadian National and Canadian Pacific. It’s a slim book, only 141 pages, but inspired photo editing and Art Director David A. Strassman’s generous use of white space give the book a timeless quality. It still holds up, six decades later.
More to the point, perhaps, he muses on the inimitable versatility of Canadian motive power, grounded in the fact that the country was dominated by two sprawling, transcontinental systems: “The transcons required and bought universal locomotives that could haul sleepers or wheat with equal ease, burn oil in Alberta or coal in Nova Scotia, and exchange parts with sisters working the breadth of a continent away.”
And pay attention many photographers did, including, as the book shows, several excellent Canadian shooters, as well as some of the biggest names on the American scene. Driven by the earlier disappearance of mainline steam in most of the U.S., by the mid-1950s the Americans were flocking north of the border to record CN bullet-nose 4-8-2s, streamlined CP Royal Hudsons, and the branchline power of both carriers.
Call it a gimmick, but for the blog this week I thought it would be fun to present some of the images that didn’t quite make the book, but could have. I focused on five photographers: Robert Hale, Philip R. Hastings, John A. Rehor, Jim Shaughnessy, and Don Wood. The goal was to find 8 x 10 prints that Morgan and Strassman might have agonized over before laying them aside.
Leave it to the good doctor — that would be Phil Hastings — to get up close and personal, in this case riding in the cab of CP No. 136 during his first foray to the Maritimes with Morgan in 1954. I love Phil’s note on the back of the print: “Engine 136’s backhead presents a conservative selection of essential levers and valves not intended to intimidate the engineman.” Rest assured, Phil, the hogger appears to be fully in charge.
If any photographer dominates Canadian Steam! it’s the perceptive and prolific Jim Shaughnessy, who made countless trips to the Dominion from his home in Troy, N.Y. He is represented here by a stirring going-away shot of CN 4-8-4 No. 6202, accelerating tonnage out of Cantic Junction, Que., and into a Canadian sunset in January 1957. The train is 491, a hot New England–Chicago freight via Sarnia, Ont., and the Grand Trunk Western.
If this sampling of almost-made-it photographs whets your appetite, then the good news is that there are collector copies of Canadian Steam! out there at various online sources, and for bargain prices. It’s a worthy addition to any railroad library, for, as D.P.M. accurately observes, “There was never a setting for steam that surpassed Canada.”
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