A work of art? A bit of an exaggeration, you say? Not to me, not given the memories it conjures up — memories of a place, a time, and a certain Editor.
In 1975, I was a 24-year-old copywriter for Kalmbach, working in the Sales Department on the fifth floor of the company’s building at 1027 N. Seventh St. in downtown Milwaukee. My official job title was sales promotion manager, but I prefer copywriter because it represents most of what I did: write ad copy for Kalmbach products.
The big event looming on our calendar that fall was the upcoming 35th anniversary of Trains, to be celebrated as usual in the November issue. Those of us in Sales were charged with coming up with a nifty promotion. We gravitated to selling an anniversary HO-scale freight car in a special paint scheme, something the company had done before with Trains’ sister magazine, Model Railroader.
I don’t know who came up with the idea of patterning the model after a 1937 Milwaukee Road boxcar, but I’m guessing it was Editor David P. Morgan. David loved to tie threads together, and a boxcar manufactured in Trains’ hometown around the time the magazine was launched would be perfect. One of my colleagues, Ad Manager Fred Hamilton, was charged with finding a model manufacturer to supply the cars.
The most distinctive features, of course, were those wide-spaced horizontal ribs, allowing for a lighter but stronger car. They were also reminiscent of what the public was seeing on the new Hiawatha passenger-car fleet of 1937. Early versions of the boxcars had the ribs extending the full length of the car sides; on cars built after 1944, the ribs stopped short of the ends of the car.
When it came to finding a supplier, my memory tells me we turned to Model Die Casting (MDC), which had the Milwaukee Road car in their catalog at the time. Fred knew everyone in the model-railroad business and I’m sure he had fun working on this with MDC.
My part of the job was simple: write a suitable slogan and work with the Art Department to create a paint scheme. The latter was easy. As I recall, the project was assigned to my pal Gil Reid, renowned railroad artist and then the company’s assistant art director. It was always fun working with Gil and I loved the simple design he came up with. Deciding on the best slogan, however, would be a different story.
How wrong I was. David dismissed our idea and came back at us with own: “Welded to Railroading for Thirty-Five Years.”
For Stephens and me, David’s counterproposal was a dud. The insider reference to welding was, well, too inside. The phrase didn’t exactly roll off the tongue, either. But coming out on top over Morgan wouldn’t be easy. Here we were, a pair of 24- and 22-year-old kids (I’m the 24), going up against a giant in our field, and someone who, for me, had already become a mentor.
Mike and I held out for our slogan, despite good-naturedly snide comments from Morgan. Our boss (and David’s peer) Bill Akin, vice president of sales, was obliged to make the final call. Bill and David were close friends, going back to the early ’50s at Kalmbach when Bill was art director of Trains. The two of them chatted every afternoon in Bill’s office; you could set your watch by David’s arrival in Sales. I rated the chances for our slogan as slim.
I was wrong! Bill, bless him, overruled DPM and my little slogan ended up on the sides of a couple of hundred yellow Milwaukee Road boxcars. I’ll never forget it, the day the boss came down in favor of his boys.
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