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Why work for a railroad?

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  • Member since
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Posted by csxengineer98 on Sunday, January 16, 2005 7:36 PM
2 things got me into the railroad line of work..but they both didnt happen at the same time..
the first one was that i always wanted to be an engineer since i saw my first train... so it was a boy hood dream to go for it... so i did..and became one...i always got a sence of aww from the size of the equimpent and thought it would be a cool job.... but this brings me to the second thing.... after being an engineer and a railroad emplyee... and after seeing how much crap crews have to put up with just to make a living... it took the some of the glory out of the job for me..so not it comes down to ....you guested it......CHACHING...THE MONEY!!!!
csx engineer
"I AM the higher source" Keep the wheels on steel
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Posted by Anonymous on Sunday, January 16, 2005 10:52 PM
QUOTE: Originally posted by M.W. Hemphill

The principal reason I went to work for a railroad is that I knew I'd never understand very much about railroading if all I did was look in from the outside. I've spent my life seeking to understand how things work, and why they're that way, and since my primary interest has always been railroads, it was natural that I go to work for one. That's also why I hired out as a dispatcher instead of in train service: I wanted to see the railroad from a viewpoint that surveyed the interaction between traffic, plant, people, and natural events, and the dispatcher sees all of that every day, and sees a lot of the railroad very quickly, whereas in train service it might take years to see more than a handful of subdivisions. Also, dispatching has better hours and you don't live out of a grip or in utter slavery to the telephone.

Of all the jobs I've had -- and so far in my life I have had four distinctly different careers (the others are construction/design, writing/editing/publishing, and small-business entrepreneur), dispatching was by far the most intense, had the steepest learning curve, and had the most opportunities for making mistakes with terrible consequences. It's very hard for an editor to get someone killed overlooking even a big point in a magazine article. It's very easy for a dispatcher to get someone killed with just a one-second lapse of concentration. Dispatching by far also had the best job satisfaction, and the worst, sometimes on the same shift. It was extremely gratifying to watch trains move and move safely despite congestion, power failures, washouts, derailments, turf battles, human failures, and the occasional complete loss of CTC, radio, and company telephone lines. I took the lessons I learned to Trains, and it's not an exaggeration to say that had I not worked for a railroad, not only would have I edited the magazine much differently, I would have edited it inadequately and ignorantly, in my opinion. (Some will say I edited it ignorantly anyway, and there might be something in what they have to say. I note they haven't thanked me for creating a window of opportunity for them to launch their own magazine in competition, either!)

Would I do it again? Who knows where life will lead. I never imagined for a second that I'd edit Trains until the day the opportunity presented itself. I never imagined I'd work for KCS in Shreveport, Louisiana, or travel all over Alaska, or run F units through the middle of a snowstorm in Colorado. If no risks are taken, no opportunities will be seized. All true adventures carry with them the risk of fatal error, and that's what makes them exciting. No one says you have to work for the railroad for the rest of your life. If you don't like it after a while, you can always quit. You'll take with you everything you learned, and while the world may not reward you with money for having a resume as weird as mine, money won't buy you a single one of the adventures I and other railroaders have had, either.


Mark-

I agree almost completely. You are right, being in T&E service is tough. Still, the way I see it, nothing beats a good spring day running along the river in the sun with a nice train strung out behind you heading for home with clear blocks ahead, or the peaceful quiet of a set out at a small isolated feed mill in the middle of the night interrupted only by the passage of another train and the chirping of crickets. That never happens in a DS office.

One other point. Railroading gets into the blood I've found. Since you started railroading, have you ever completely (I know working for TRAINS doesn't pay RR Retirement, but it is still RR related) left railroading behind?

For me, I just don't buy the quit, although I know people who've done it...

LC
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Posted by mloik on Sunday, January 16, 2005 11:10 PM
QUOTE: Originally posted by M.W. Hemphill

Would I do it again? Who knows where life will lead. I never imagined for a second that I'd edit Trains until the day the opportunity presented itself. I never imagined I'd work for KCS in Shreveport, Louisiana, or travel all over Alaska, or run F units through the middle of a snowstorm in Colorado. If no risks are taken, no opportunities will be seized. All true adventures carry with them the risk of fatal error, and that's what makes them exciting. No one says you have to work for the railroad for the rest of your life. If you don't like it after a while, you can always quit. You'll take with you everything you learned, and while the world may not reward you with money for having a resume as weird as mine, money won't buy you a single one of the adventures I and other railroaders have had, either.


Dear Mr. Hemphill,

I spoke on "uncertainty" in our lives -- and in my career as a scientist -- at church today.

Much of what you said above rings very true: life is uncertain, and one cannot know how it will unfold.

But the greatest challenge is to embrace that uncertainty and to stand arrow-straight and face the unknown.

That is how I have come about to have had a number of many great adventures of my own.

Many thanks for your railroading insights.

Best regards,
Michael Loik
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Posted by Anonymous on Monday, January 17, 2005 3:51 PM
I've written before about how I thought I'd never work for a railroad becuse I wore glasses. I had been trained from my earliest age to be an artist. I went to art school after high school thinking I would soon join the ranks, with my father, as a commercial illustrator.
In a moment of unbridaled liberation, upon the discovery that the CNW would hire trainmen even if they wore glasses, I took the leap of faith and went railroading. I had always wanted to be a passenger train conductor. I worked as a freight brakeman, a passenger trainman, a fireman, a hostler, and then passed the engineer's exam. But I wanted more railroading and went to the Milwaukee Road. I worked as a brakeman in all services, and then was promoted to conductor. I had my dreams come true, and that was something I couldn't buy. True to life fulfillment. When things went bad on the Milwaukee in '82, I pursued my art career. Had shows in New York, and a fight with my rep. Everything an artist could want.
But railroading was in my blood as a 34 year old youth. the new management of the South Shore Line needed an artist. I got the position. First as part-time which grew into full time work. I just couldn't shake it. Things didn't go as planned with the South Shore and I went on my own again as an artist. I kept the SSL as a client, and one day, while delivering a job to them, a miracle happened. On the receptionist's desk was a sign that said, "Wanted, experienced brakemen to work for 3 months account manpower shortage." I quipped to the trainmaster, "I bet my Milwaukee uniform still fits. If ya need a collector, I'll go." I was half joking, and half not. The trainmaster replied,"Come with me. Ya got time to take the physical?" I didn' think twice. Four days later I found myself on the brakeman's extra board. I couldn't put railroading away. A few years later promotion time came around and they asked me if I wanted to be a conductor or engineer. I chose engineer. They remarked that since I had been a conductor on the Milwaukee they were surprised by my choice. I explained at my age I wanted a seat, and to be left alone. The reality was another life long ambition was to be an engineman on the South Shore. Home every night and fast MU cars to run. That was for me.

I'm married now with kids, and driving through the snow to get to a job where you have to run through the snow stopped being romantic. My other ambitions, and advancing age made me think things over. I, too, embraced life's uncertainties standing up-right. I went back as an artist. But there's still railroading in me.

I've had a lot of good things come my way as an artist. I've had major exhibitions of my work, and I've done well. But nothing, and I mean nothing, beats running a morning rush-hour train, coming into a station where all eyes are on you, and bringing those people into work, on time. Especialy on a clear spring morning.

I followed the dream.
Mitch
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Posted by Anonymous on Monday, January 17, 2005 6:09 PM
Of course, there was the time I was supposed to run Mr. Goode's Office Car Special...

It was cancelled unfortunately as something else came up, but I remember the morning well. Heading south an hour and a half to my terminal at 70 mph in thick fog. Pea soup so to speak with Ozzie cranking "Crazy Train" on the radio...

LC
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Posted by Anonymous on Tuesday, January 18, 2005 1:39 PM
Well, one thing is certainly clear. Railroading is in the blood, any way you cut it. Some of us are born with it, others acquire it, but once it's there it's there forever. Maybe that's the best reason of all to work for a railroad.

--JD Nomad

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