I received my copy of Great Train Stations and was very disappointed to see that St. Louis and Kansas City only rated one paragraph and one photo each.
You could publish a whole magazine about St. Louis Union Station and yet it was an afterthought in your special issue. Montreal rated multiple pages and it is in Canada. St. Louis is historic and was huge when it was in full glory.
In their partial -- very partial -- defense, I think St. Louis was one of the great missed opportunities as a 'midwest gateway' for passenger service between East and West. They greatly overbuilt the station for the actual traffic that developed, I think, and this may have factored into some formula at Kalmbach for rating what made stations 'great'.
Jack, is that you?
And why shouldn't Montreal Gare Centrale rate multiple pages?? A fine, modern station!
Then we agitate for "MORE" Great Train Stations.
Trains, trains, wonderful trains. The more you get, the more you toot!
Penny Trains Then we agitate for "MORE" Great Train Stations.
Yup....lots more great stations out there that would fill several issues!
Wellllll, in doing a book on "Great Train Stations" you have to remember it's going to be pretty subjective. The most famous ones have to be listed, there's the author's own preferences, (sure, they should be impartial but looky here, they're only human) AND they have to play to the biggest audiences, New York, Chicago, Philadelphia, Los Angeles, and so forth. That's where the most potential purchasers are going to be.
Second-tier cities (no offense meant) like Saint Louis and Kansas City are bound to get short-shrift, even if they don't deserve it.
True. But was anyone as shocked as I was to discover that there was no photo of the actual Penn Station but rather just a GG-1 downtrack?
The late-great Pennsylvania Station:
Still in the clean-up stage (note gondolas) but there is a string of LIRR (M)P54s in the distance.
Penn_Station1 by Edmund, on Flickr
LIRR_cars by Edmund, on Flickr
It took a pretty sure-footed chap to navigate this "scaffolding"!
Penn_Scaffold by Edmund, on Flickr
Earlier:
Penn_Station-1908dig by Edmund, on Flickr
A steel arch for the concourse can be seen in the distance. The donkey below-center is pushing a cart with a big spur gear. Perhaps for a repair on a shovel?
Speaking of St. Louis, the PRR had this section of the tunnel design on display at the (Louisiana Purchase Exposition§) World's Fair, 1904. This is the left-half of a stereoscope.
Penn-Station_tubes by Edmund, on Flickr
Click any of the photos to open in Flickr where you can enlarge the view.
§ More excellent photos of the Fair here:
https://www.theatlantic.com/photo/2019/09/the-1904-st-louis-worlds-fair-photos/597658/
Of particular note #15. Railway equipment and #28. the Cagneys.
Regards, Ed
1904 Worlds Fair in St Louis... absolutely breathtaking. # 15 with that endless lineup of locomotives, remarkable.
Great thinkers at this time really thought all the ills and problems of the world were coming to an end and we had entered a new age of greatness were science, engineering, commerce, medical advances had been understood. They were very positive and very certain for the future of a great world. You can see this in the details and imagery.
WWI shattered that dream when industrial might and science turned into mass slaughter instead of benefits.
That couple in #20, the newlyweds, sure look miserable.
Miningman1904 Worlds Fair in St Louis... absolutely breathtaking. # 15 with that endless lineup of locomotives remarkable.
In light of the discussion of multiple stacks, look back a few ranks in the "Baltimore and Ohio Section" with all those famous 'reproductions' of early B&O power, and note the towering double stacks with hopper on top...
Anyone notice, among all the professional names that 'are no more' in picture #12, a famous name from the West Coast?
Miningman 1904 Worlds Fair in St Louis... absolutely breathtaking. # 15 with that endless lineup of locomotives, remarkable. Great thinkers at this time really thought all the ills and problems of the world were coming to an end and we had entered a new age of greatness were science, engineering, commerce, medical advances had been understood. They were very positive and very certain for the future of a great world. You can see this in the details and imagery. WWI shattered that dream when industrial might and science turned into mass slaughter instead of benefits. That couple in #20, the newlyweds, sure look miserable.
Johnny
Yeah, that young couple sure look like the "Wrath of God," don't they?
Anyone notice good ol' 999 to the right of the Cugnot Steam Carriage in photo 15?
Anyway, the quality of those photos is outstanding, most look like they could have been taken yesterday!
And when you think about it, the progress that took place from 1804 to 1904 was staggering!
A little sad to think that there's no-one alive now who are in those photos, but what can you do? Time marches on.
Probably most wouldn't care for the world we live today in anyway.
Oh what the hell, sing it Judy!
https://www.youtube.com/watch?v=fqezXDgObWE
How about a version from 1904?
https://www.youtube.com/watch?v=DYoGsVaT8vk
Creation survived!
Didn't the Wabash build a station close to the fairgrounds--and make use of it for the Chicago and Detroit trains until the spring of 1969, even having a Chicago Pullman originate there ?
Thanks Ed for the impressive photos and links. The Festival Hall and the fountain of the 1904 Worlds Fair in St Louis was such an architectural germ, too bad that they were not a built to last... The Festival Hall reminds me of the Haiyantang Water Clock Fountain in Old Summer Palace of China.
Jones 3D Modeling Club https://www.youtube.com/Jones3DModelingClub
When I was ever-so-briefly in architecture school, this style of 'whited sepulchre' festival architecture was roundly disparaged, even by the 'Learning from Las Vegas' people. I thought then, and still do, that it has its charms.
Penny, I don't think the story ended with the Dreamland fire; that fine Brooklynite Charles Taze Russell picked up on it for the "Photo-Drama of Creation" that was one of the early tours-de-force of the American movie industry.
Download your own PDF copy (a whopping 115MB! hey, that used to be ridiculously larger than business-computer hard-drive capacity!) of the souvenir book accompanying the production here:
https://archive.org/details/ThePhotodramaOfCreation
(The movie itself has been remastered in HD, but it is difficult to recover the sense of wonder that would have been involved with seeing it in its original venues. We certainly wouldn't get back to that level of sound synchronization for over a decade...)
I wouldn't worry overmuch about what architectural critics have to say, like so many other people in other fields of endevour they can be just as faddish as high-school teenagers.
Styles change, sometimes for the better, sometimes for the worse. One mustn't be smug and superior, who knows what they'll be saying about us in 100 years time?
Deggesty Didn't the Wabash build a station close to the fairgrounds--and make use of it for the Chicago and Detroit trains until the spring of 1969, even having a Chicago Pullman originate there ?
OvermodWhen I was ever-so-briefly in architecture school, this style of 'whited sepulchre' festival architecture was roundly disparaged, even by the 'Learning from Las Vegas' people. I thought then, and still do, that it has its charms.
Flintlock76 I wouldn't worry overmuch about what architectural critics have to say, like so many other people in other fields of endevour they can be just as faddish as high-school teenagers. Styles change, sometimes for the better, sometimes for the worse. One mustn't be smug and superior, who knows what they'll be saying about us in 100 years time?
[Giggle] You guys are both right. I understand why these temporary structures built for a specific global event were roundly disparaged since they were constructed with movie-set-like material and wasn't very carefully designed for long term use and to showcase the wisdom and philosophy of the architect like any other permanent buildings. But The Festival Hall does have its charms and played the role very well to bring the 1904 World Fair a beautiful, classy image and a dreamy atmosphere. The building itself was great enough to serve its purpose. I can see the Festival Hall was inspired by or tried to mimic Baroque Architecture, which was not a thing for everyone nowadays. Many would find them overly decorated, but it is also a subjective thing, just like streamlined locomotive lovers vs. non-streamlined locomotive lovers. : )
rcdrye Deggesty Didn't the Wabash build a station close to the fairgrounds--and make use of it for the Chicago and Detroit trains until the spring of 1969, even having a Chicago Pullman originate there ? Delmar Boulevard opened in 1929 and closed in 1970. There was a World's Fair Station served by several railroads, reached over Rock Island trackage. Delmar was one of the few, and probably the last, "suburban" stations with setout Pullmans.
Delmar Boulevard opened in 1929 and closed in 1970. There was a World's Fair Station served by several railroads, reached over Rock Island trackage. Delmar was one of the few, and probably the last, "suburban" stations with setout Pullmans.
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